Friday, 21 March 2014


How to ditch your day job and become a full time illustrator


Working in graphic design but just want to draw or paint all day? Anna Wray explains how to go about it.


Having worked as a graphic designer for five years, Anna Wray became a freelance illustrator - and hasn't looked back since

Ever daydreamed about becoming an illustrator full time, yet feel trapped in your day job and unsure how to go about it? I did. I'd been working for the BBC as a graphic designer for over five years when I felt the need for a dramatic change.
Eventually realised my ambitions and became a full time Illustrator. Obviously, it took determination, time, focus and a certain amount of tenacity. But like all things in life if you really want it, in the end, you can get it. Here are 10 top tips I have learned along the way to help you along the way...

01. Choose your specialism


Children's books are a good source of work for illustrators. Learn more here: www.creativebloq.com/illustration/5-tips-illustrating-childrens-book-513...

When I began my journey into the book world, I was easily intimidated at how difficult it can be. But I kept at it. I kept drawing and creating new work, kept evolving my style (still a work in progress) kept contacting people, and soon it paid off.
You'll have greater industry success if you focus your illustration to a particular sector. Don’t to too general, clients want to see a good amount of previous experience in their own field. Decide what kind of illustration you want to focus on and act.
There are generally three major pathways: editorial (illustration for magazines and newspapers), advertising (including product illustration) and book (including children’s book) illustration.

02. Set aside a specific time

Time is your biggest enemy. The day job takes all your time and zaps your energy. So be strict with yourself and set aside some regular time every week to focus on your portfolio.
I spent every Sunday for months creating new work. If you can go part- time it's easier but not always possible. You just have to put Netflix aside and get on with it.

03. Offer mates' rates

Work for free or very little in the early days to build your portfolio. It's very unlikely that a large client will commission an illustrator with an underdeveloped portfolio.
The lack of pressure and greater number of jobs that this will open up will give you invaluable experience in dealing with a client and a live brief, and will eventually lead to decent money.

04. Send something lovely in the post

A tenacious way to add some high profile clients to your portfolio is to create your best work for your dream client and send it to them. If they like it, they may use it, or at least be pleased to have received something lovely in the post. You never know: they may even commission you next time!

05. Sell stock illustrations


Make money selling stock illustrations
Think commercially, and there's money to be made selling stock illustrations online. Learn more here:www.creativebloq.com/illustration/sell-stock-illustrations-121310215

It's a great idea for newbie illustrators to sell illustrations online with websites such as iStock or Shutterstock. Both sites provide online forums in which you can receive helpful criticism ,which can be a great way to progress your work. It's also a good way to see what sells and what doesn’t. Clients also look for new illustrators on these sites, a great way in! You'll find more information here.

06. Start a part-time course

Consider doing a part-time degree or night class to give you structured time with other creatives in a critical and supportive environment. It will also motivate you when the going gets tough!

07. Get a website

It goes without saying that you need an online website that's professionally designed and image focused. It's never been easier nor cheaper to do this yourself. Websites such asdunked.com can provide you with a well designed portfolio-ready template that you can easily adapt to suit your needs.

08. Contact agents


Becky Bolton of GWAW, creators of this illustration for Lee Jeans, explains how she got an agent here:http://www.creativebloq.com/career/illustrators-guide-getting-agent-1113...

When you have at least 10 illustrations you feel are your best work, it's worth contacting agents. Most will say no - that's part of the territory - but don’t take it too personally and don’t be afraid to try again and again as you produce new and better work. If you do get an agent this will open up your work to a huge number of potential clients.

09. Embrace social media

Facebook and Twitter are powerful and free ways to get your work seen by lots of people. Set up pages that are purely focused on illustration and begin adding likeminded friends who inspire you and organisations you would love to work for. Update your account regularly with new work. You'll find more advice here.

10. Keep going

Don’t give up, ever. It takes time maybe even years to build up your career as a full time illustrator. There will be moments of doubt along the way and you may lose hope that it will ever happen.
If you listen to these doubts it won't. Keep plugging away regardless, and override those negative thoughts with fresh new work, and eventually it will.
Words: Anna Wray

Thursday, 21 November 2013

Indesign Tutorials

InDesign tutorial: Resize a page using InDesign CS6's Liquid Layouts

Pariah Burke explains how to resize a page’s dimensions in InDesign

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Illustrator tutorials

Adobe Illustrator tutorial: Bold pattern design

How the graphic designer and illustrator brings the cities he visits to life in an abstract fashion.
http://www.digitalartsonline.co.uk/tutorials/adobe-illustrator/bold-pattern-design/

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Adobe Illustrator & Photoshop tutorial: Create a retro vector look

Miss Swanne explains how she balanced vector techniques with retro themes to create the poolside-based The Sound of Silence
http://www.digitalartsonline.co.uk/tutorials/adobe-illustrator/create-your-own-retro-summer-scene/






Photoshop tutorials

Photoshop tutorial: Colour a beautifully feminine portrait 

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http://www.digitalartsonline.co.uk/tutorials/photoshop/colour-beautifully-feminine-portrait/


Photoshop tutorial: Combine real and digital brushes

Adi Gilbert explains how hand-drawn art can be enhanced by digital techniques to produce beautifully-crafted illustrations
http://www.digitalartsonline.co.uk/tutorials/photoshop/combine-real-digital-brushes/

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Photoshop tutorial: Fantasy light effects in Photoshop

Usings Photoshop and Illustrator, it’s possible to create a fantasy scene using brushes and blur effects to their fullest.
http://www.digitalartsonline.co.uk/tutorials/photoshop/fantasy-light-effects-in-photoshop/




Photoshop tutorial: Create retro poster effects

Ollie Munden and Harriet Seed get shipshape with techniques for tattoo-style art, based on 50s rockabilly and navy motifs
http://www.digitalartsonline.co.uk/tutorials/photoshop/create-retro-poster-effects/

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Photoshop tutorial: Eroded fashion portraits

Pete Harrison radically reworks a fashion shot till the whole look begins to unravel before your eyes
http://www.digitalartsonline.co.uk/tutorials/photoshop/eroded-fashion-portraits/

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Photoshop tutorial: Retro Collage Techniques

You might already know a thing or two about collage, but can you produce a look out of a 1970s poster? Tim Green explains how
http://www.digitalartsonline.co.uk/tutorials/photoshop/retro-collage-techniques/

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Photoshop tutorial: Add realism to digital portraits

A realistic depiction of humanity, rather than some idealised concept of it, is a difficult thing to convey in an illustration. In this tutorial, Richard Wilkinson walks you through the process of how he created a portrait of an elderly man grieving.
http://www.digitalartsonline.co.uk/tutorials/photoshop/add-realism-digital-portraits/

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Photoshop tutorial: Create super psychedelic artwork

Ollie Munden explains how to create 70s-inspired poster art using sketching and multi-layering techniques in Photoshop
http://www.digitalartsonline.co.uk/tutorials/photoshop/create-super-psychedelic-artwork/

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Thursday, 14 November 2013

textures

http://www.digitalartsonline.co.uk/features/graphic-design/texture-tips/

Wednesday, 30 October 2013

Tutorials



13 horrifying Photoshop and Illustrator tutorials for Halloween


With Halloween just over a week away, you're no doubt looking to tap your creative talent to produce artwork and decorations in the unholy spirit of the season. Here we've collected 13 of our favourite tutorials that detail effects that'll help turn your most disturbing ideas into truly nightmarish visions – plus an inspiring guide to that mine of messed up artwork, heavy metal album covers.
Click on the images to get to the tutorials.

Bring the wolves to your door

Dan Mumford reveals how he created this lycanthropic poster for punk band Gallows.

Celebrate the Day of the Dead

Bring Mexico's Día de los Muertos to wherever you are.

Design a highbrow horror-movie poster

Karim Fakhoury explains how to create a creepy, unsettling piece of poster art

Paint a fire sprite

Create a fiery figure from a photographic model shot.

Skeleton on a fixie -- hell yes!

Ollie Munden details how to create a mix of horror and hipster that could be called Funny Bones: the Shoreditch Years.

Create a stylish modern cyborg

Fabio Sasso shows you some techniques for creating a cyborg from photographic sources in Photoshop, tapping into the movie heritage of the cyborg, but mixing it with the glossy ‘Bleach-Bypass’ look of modern sci-fiTV shows such as V and Battlestar Galactica.

Conjure a nightmare vision of a wolf in a boy's clothing

Mix natural and unnatural elements to produce a disturbing but melancholic piece.

Skulls and owls

Joshua Smith, aka maverick illustrator Hydro74, has a style that’s instantly recognisable – combining the thick, clean lines of graffiti with the iconography of tattoos and the symmetry and patterns of vector art.
Here he takes you through how he created a work based around his regular motifs of skulls and swirls mixed with that illustration icon, the owl.

Make a skull out of type

Unlock the power of Photoshop's Distort tool to create this enigmatic image.

Creepy chimeras

Chimeras – a mix-and-match approach to animal part favoured by Greeks for many mythical monsters – are great for Halloween. Here Fabio Sasso puts a new spin on Alice's Cheshire Cat.

Build a fairytale asylum

How Stephen Chan and Andriana Katsiki (AKA Wundercloud) created this unusual artwork.

X-ray specs

See your insides revealed with the quick guide to producing X-ray effects.

Plus

If you're looking for inspiration, check out our guide to the latest generation of heavy metal artwork for album covers, posters and t-shirts, which has reinvented the genre to make rock art hip again. 
* We're joking about the blood. Unless you cut yourself with a sharp pen or pencil..





Flash Pro tutorial: Create monochrome character art

Keep things clear with black and white artwork, with Paul Shih

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In this tutorial, character art guru Paul Shih shows how to create a detailed black-and-white artwork – using Flash. Shih says: “I personally find Flash’s drawing system work best for the style we are making. It’s fun and easy.”


You’ll learn handy tips for drawing in Flash, focusing on some essential drawing tools that make creating this artwork quick and simple. Starting with Flash’s unique Line tools, we take this tool a step further by converting lines to create fills for a comic book-style ‘focus lines’ effect. 
You’ll also pick up tricks on maintaining visual clarity in a detailed black-and-white artwork. Feel free to embellish and add your own twists to the artwork as you create. 

Time to complete 

8-10 hours

Software

Adobe Flash, Photoshop

Project files

Files for this tutorial are downloadable from here

 


Adobe Illustrator tutorial: Texture tricks with vector artwork

Jeremy Bowman explores how you can add texture to your work

Intro

Texture can really add depth and a tangible quality to vector illustrations. In this tutorial, illustrator Jeffrey Bowman discloses the techniques he uses to create texture and then explains how he adds this to his work. 
You’ll learn how to take scanned textures and turn them into vectors using image trace, then effectively apply them to your illustration using clipping masks. Jeffrey will also explain how to add brush strokes to hard vector edges, so as to give a hand-drawn feel to your artwork. 
To help you follow along with this masterclass, Jeffrey has provided some sample vector shapes and textures in the project files.
The techniques featured in most of this tutorial can be applied to almost any version of Illustrator, but the texture vectorisation process in Steps 10-11 require CS6.

Time to complete 

4-5 hours

Tools

Illustrator CS6 

Project files

Files for this tutorial are downloadable from here


Adobe Illustrator tutorial: Master dynamic gradient techniques

Colouring this good takes time and patience – Alexandra Zutto shows you how

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Intro

Many works that look complicated are really made from simple elements. In this tutorial, Russian artist Alexandra Zutto shows how to build up complex, beautiful images by patiently layering and building up small, straightforward segments, always varying them to prevent monotony. 
For this piece, which Zutto created for the Blood Sweat Vector exhibition in Berlin, she says: “I tried to reproduce the tundra’s atmosphere, with its pale sun and soft lighting. It required looking closely at a lot of references to understand how I can achieve these kinds of effects.”
In this tutorial, you’ll learn how to build up many elements to create a vector image with real depth and richness. Zutto explains: “I spend most of the time picking out colours that match each other to form harmonic colour composition. It takes a lot of time, but it’s worth the effort.” 

Time to complete

2 days 

Software

Adobe Illustrator, Photoshop



Adobe Illustrator tutorial: Bold pattern design


How the graphic designer and illustrator brings the cities he visits to life in an abstract fashion.

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Intro
In this masterclass, London-based David Popov will take you through the process he used when creating his ‘Round the World’ series of graphic artworks. 
“I initiated this project because I wanted to have something that only I would have to remember my travels by,” explains David, “not just the photos that everyone has of Paris such as the Eiffel Tower, the Louvre and the Moulin Rouge.” Instead, he produced more abstract pieces based upon the patterns and textures of the city’s architecture.
Here David will be focusing on how he went about creating his composition in Illustrator using colour and pattern swatches. He will also discuss the influences and experiences that informed the patterns and colours of the artwork’s final design.

Time to complete 

4 hours

Tools

Illustrator CS3 and above